Writers’ Trust Fiction Prize Winner
Scotiabank Giller Prize Finalist
Part literary Western and part historical mystery, Writers’ Trust Fiction Prize winner Ridgerunner is now available as a paperback.
November 1917. William Moreland is in mid-flight. After nearly twenty years, the notorious thief, known as the Ridgerunner, has returned. Moving through the Rocky Mountains and across the border to Montana, the solitary drifter, impoverished in means and aged beyond his years, is also a widower and a father. And he is determined to steal enough money to secure his son’s future.
Twelve-year-old Jack Boulton has been left in the care of Sister Beatrice, a formidable nun who keeps him in cloistered seclusion in her grand old house. Though he knows his father is coming for him, the boy longs to return to his family’s cabin, deep in the woods. When Jack finally breaks free, he takes with him something the nun is determined to get back — at any cost.
Set against the backdrop of a distant war raging in Europe and a rapidly changing landscape in the West, Gil Adamson’s follow-up to her award-winning debut, The Outlander, is a vivid historical novel that draws from the epic tradition and a literary Western brimming with a cast of unforgettable characters touched with humour and loss, and steeped in the wild of the natural world.
It is 2058, and the glaciers are gone. A catastrophic drought has hit the prairies. Willa Van Bruggen is desperately trying to keep her family goat farm afloat, hoping against hope that the new water pipeline arrives before the bill collectors do.
Willa's son, Daniel, goes to work for the pipeline corporation instead of returning to help the family business. When Daniel reveals long-concealed secrets about his grandfather's death, Willa's world truly shatters. She's losing everything she values most: her farm, her son, her understanding of the past -- and even her grip on reality itself. Vividly illustrating the human cost of climate change, Watershed is a page-turner of a novel about forgiveness, adaptation, and family bonds.
WINNER of the 2021 Hugo, Nebula and Locus Awards!
The first full-length novel in Martha Wells' New York Times and USA Today bestselling Murderbot Diaries series.
An Amazon's Best of the Year So Far Pick
Named a Best of 2020 Pick for NPR | Book Riot | Polygon
"I caught myself rereading my favorite parts... and I can’t recommend it enough." — New York Times
You know that feeling when you’re at work, and you’ve had enough of people, and then the boss walks in with yet another job that needs to be done right this second or the world will end, but all you want to do is go home and binge your favorite shows? And you're a sentient murder machine programmed for destruction? Congratulations, you're Murderbot.
Come for the pew-pew space battles, stay for the most relatable A.I. you’ll read this century.
I’m usually alone in my head, and that’s where 90 plus percent of my problems are.
When Murderbot's human associates (not friends, never friends) are captured and another not-friend from its past requires urgent assistance, Murderbot must choose between inertia and drastic action.
Drastic action it is, then.
Contemptuous of their parents, who pass their days in a stupor of liquor, drugs, and sex, the children feel neglected and suffocated at the same time. When a destructive storm descends on the summer estate, the group’s ringleaders—including Eve, who narrates the story—decide to run away, leading the younger ones on a dangerous foray into the apocalyptic chaos outside.
As the scenes of devastation begin to mimic events in the dog-eared picture Bible carried around by her beloved little brother, Eve devotes herself to keeping him safe from harm.
A Children’s Bible is a prophetic, heartbreaking story of generational divide—and a haunting vision of what awaits us on the far side of Revelation.
In this wordless biography, wood engraver George A. Walker provides a fitting stage to explore the life of Mary Pickford, a silent film star whose groundbreaking contributions to the motion picture industry earned her the title `Queen of the Movies'.
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