A masterfully paced thriller about a reclusive ex–movie star and her famous friends whose spontaneous trip to a private Greek island is upended by a murder — from the #1 New York Times bestselling author of The Silent Patient
This is a tale of murder.
Or maybe that’s not quite true. At its heart, it’s a love story, isn’t it?
Lana Farrar is a reclusive ex–movie star and one of the most famous women in the world. Every year, she invites her closest friends to escape the English weather and spend Easter on her idyllic private Greek island.
I tell you this because you may think you know this story. You probably read about it at the time â it caused a real stir in the tabloids, if you remember. It had all the necessary ingredients for a press sensation: a celebrity; a private island cut off by the wind…and a murder.
We found ourselves trapped there overnight. Our old friendships concealed hatred and a desire for revenge. What followed was a game of cat and mouse â a battle of wits, full of twists and turns, building to an unforgettable climax. The night ended in violence and death, as one of us was found murdered.
But who am I?
My name is Elliot Chase, and I’m going to tell you a story unlike any you’ve ever heard.
In this crime thriller from #1 New York Times-bestselling J.D. Robb, a small and easily concealed weapon wreaks havoc, and the killer is just a face in the crowd.
Jenna’s parents had finally given in, and there she was, at a New York club with her best friends, watching the legendary band Avenue A, carrying her demo in hopes of slipping it to the guitarist, Jake Kincade. Then, from the stage, Jake catches her eye, and smiles. It’s the best night of her life.
It’s the last night of her life.
Minutes later, Jake’s in the alley getting some fresh air, and the girl from the dance floor comes stumbling out, sick and confused and deathly pale. He tries to help, but it’s no use. He doesn’t know that someone in the crowd has jabbed her with a needle—and when his girlfriend Nadine arrives, she knows the only thing left to do for the girl is call her friend, Lieutenant Eve Dallas.
After everyone on the scene is interviewed, lab results show a toxic mix of substances in the victim’s body—and for an extra touch of viciousness, the needle was teeming with infectious agents. Dallas searches for a pattern: Had any boys been harassing Jenna? Was she engaging in risky behavior or caught up in something shady? But there are no obvious clues why this levelheaded sixteen-year-old, passionate about her music, would be targeted.
And that worries Dallas. Because if Jenna wasn’t targeted, if she was just the random, unlucky victim of a madman consumed by hatred, there are likely more deaths to come.
The stunning third book in the sexy, action-packed Crescent City series, following the global bestsellers House of Earth and Blood and House of Sky and Breath.
Bryce Quinlan never expected to see a world other than Midgard, but now that she has, all she wants is to get back. Everything she loves is in Midgard: her family, her friends, her mate. Stranded in a strange new world, she's going to need all her wits about her to get home again. And that's no easy feat when she has no idea who to trust.
Hunt Athalar has found himself in some deep holes in his life, but this one might be the deepest of all. After a few brief months with everything he ever wanted, he's in the Asteri's dungeons again, stripped of his freedom and without a clue as to Bryce's fate. He's desperate to help her, but until he can escape the Asteri's leash, his hands are quite literally tied.
In this sexy, breathtaking sequel to the #1 bestsellers House of Earth and Blood and House of Sky and Breath, Sarah J. Maas's Crescent City series reaches new heights as Bryce and Hunt's world is brought to the brink of collapse-with its future resting on their shoulders.
From the bestselling author of Everyone in My Family Has Killed Someone, a fiendishly fun locked room (train) murder mystery that "offers a tip of the hat to the great Agatha Christie novel while at the same time being a modern reinvention of it" (Nita Prose) -- perfect for fans of Richard Osman and Anthony Horowitz
When the Australian Mystery Writers’ Society invited me to their crime-writing festival aboard the Ghan, the famous train between Darwin and Adelaide, I was hoping for some inspiration for my second book. Fiction, this time: I needed a break from real people killing each other. Obviously, that didn’t pan out.
The program is a who’s who of crime writing royalty:
the debut writer (me!)
the forensic science writer
the blockbuster writer
the legal thriller writer
the literary writer
the psychological suspense writer
But when one of us is murdered, the remaining authors quickly turn into five detectives. Together, we should know how to solve a crime.
Of course, we should also know how to commit one.
How can you find a killer when all the suspects know how to get away with murder?
NATIONAL BESTSELLER • A January Indie Next Pick and LibraryReads Pick
"The reigning queen of the Gothic thriller." —Entertainment Weekly
THERE'S NOTHING AS GOOD AS THE RICH GONE BAD.
When Ruby McTavish Callahan Woodward Miller Kenmore dies, she’s not only North Carolina’s richest woman, she’s also its most notorious. The victim of a famous kidnapping as a child and a widow four times over, Ruby ruled the tiny town of Tavistock from Ashby House, her family’s estate high in the Blue Ridge Mountains.
But in the aftermath of her death, her adopted son, Camden, wants little to do with the house or the money—and even less to do with the surviving McTavishes. Instead, he rejects his inheritance, settling into a normal life as an English teacher in Colorado and marrying Jules, a woman just as eager to escape her own messy past.
Ten years later, his uncle’s death pulls Cam and Jules back into the family fold at Ashby House. Its views are just as stunning as ever, its rooms just as elegant, but the legacy of Ruby is inescapable.
And as Ashby House tightens its grip on Jules and Camden, questions about the infamous heiress come to light. Was there any truth to the persistent rumors following her disappearance as a girl? What really happened to those four husbands, who all died under mysterious circumstances? And why did she adopt Cam in the first place? Soon, Jules and Cam realize that an inheritance can entail far more than what’s written in a will––and that the bonds of family stretch far beyond the grave.
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