From New York Times bestselling author Sally Hepworth comes a twisty tale of justice, redemption, and one irrepressible woman who’s not done breaking the rules just yet.

Meet Elsie Mabel Fitzpatrick: eighty-one years old, gloriously grumpy, fiercely independent, and never without a hot cup of tea—or a cutting remark. She minds her own business in her quiet Melbourne suburb, until a neighbor turns up dead and the whispers start flying.

Because Elsie hasn’t always been Elsie. Once upon a headline, she was Mad Mabel Waller—Australia’s youngest convicted murderer. But was she really mad, or just misunderstood? Either way, she’s kept her secret buried for decades.

Enter seven-year-old Persephone, a relentless little chatterbox who has just moved in across the road (armed with stickers, questions, and no sense of personal boundaries); Joan, who appears to have it in for Elsie; and a healthy dose of public interest—the cops are sniffing around, and the media is circling like seagulls at a picnic.

So Mabel does what she’s always done best—she takes matters into her own hands.

Is she a cantankerous old lady with a shady past? A cold-blooded killer with arthritis? Or just someone who’s finally ready to tell her side of the story?

Sharp, surprising, and wickedly funny, this is the unforgettable story of a woman who’s spent a lifetime being underestimated—and is about to prove everyone wrong. Again.

From the New York Times bestselling author of Exiles and The Dry comes a captivating new novel set in a modern ghost town.

Carralon Ridge, a once vibrant village in rural New South Wales, has become a shell of itself, its houses and buildings bought up and left to rot by the mining company operating at its borders. A decade into its slow death, surrounded by industrial noise and swathed in thick layers of dust, the skeletal town is all but abandoned, with just a handful of residents clinging onto what remains.

After years of scorning those who left the Ridge behind as it fell into ruin, Ro never imagined she'd become one of them. But everything changed when she lost her son. Five years ago, Sam vanished while visiting during a break from college, leaving behind a rental car with his belongings inside. Sam had loved Carralon Ridge, and had been working on an oral history of the town to preserve its legacy before it vanished altogether. It wasn't long after his disappearance that the rest of the family began to crumble away too.

But when Ro returns to Carralon Ridge to be with her husband and daughter on the anniversary of Sam's disappearance, she begins to suspect that something important was overlooked in his case. Because while nothing can stop Carralon Ridge from dying, someone seems to want to make sure that its secrets die with it.

"Sexy, messy, funny and raw." —The New York Times

#1 New York Times bestselling author Rainbow Rowell returns with a breathtakingly honest novel about a woman who lost everything — and isn't sure she wants it back.

Everybody knows that Cherry's husband, Tom, is in Hollywood making a movie . . .

Almost nobody knows that he isn't coming home.

Tom is the creator of Thursday—a semi-autobiographical webcomic that's become an international phenomenon.

Semi-autobiographical. That means there's a character in this movie based on Cherry . . . "Baby."

Wide-hipped, heavy-chested, double-chinned Baby.

Cherry never wanted this. No fat girl wants to see herself caricatured on the page—let alone on the big screen. But there's no getting away from it. Baby looks so much like Cherry that strangers recognize her at the grocery store.

While her soon-to-be ex-husband is in Los Angeles getting rich and famous and being the internet's latest boyfriend, Cherry is stuck in Omaha taking care of the dog he always wanted and the house they were going to raise a family in . . . and wondering who she's supposed to be without him.

Cherry had promised to love Tom through thick and thin.

She'd meant it.

One night, Cherry decides to leave all her problems, including Tom's overgrown puppy, at home. She ventures out to see her favorite band play her favorite album . . . and someone recognizes her from across the room.

Russ Sutton knew Cherry when she was a young art student with a fondness for pin-up dresses and patent leather heels. Before Tom.

Russ knows Cherry. He likes Cherry.

And best of all . . . he's never heard of Thursday.

Tender, funny, and utterly human, Cherry Baby is Rainbow Rowell's richest, most surprising—sexiest—novel yet.

They’re making a major feature film of the first Hawthorne/Horowitz mystery novel. Except—they’re behind schedule, they’ve run out of money and . . . oh! The star has just been murdered.

Ex-Detective Inspector Daniel Hawthorne is dead.

Or, rather, the actor playing him in the film adaptation of The Word Is Murder is. Rising star David Caine has been stabbed and it seems that everyone on the set had a motive.

Caine had just fired his PA. He had fallen out with his director, slept with the screenwriter, humiliated his co-star and dropped his agent days before he was about to sign a multi-million-dollar deal to appear in the next Spider-Man movie.

But what if Caine’s murderer had made a mistake? What if it was the real Hawthorne who was the intended victim? For it turns out that the brilliant detective may have got it wrong ten years earlier. An innocent man has died in jail. And perhaps someone has decided that Hawthorne must pay the price.

From the film set on the south coast of England, the story moves to Reeth, in Yorkshire, the village where Hawthorne grew up. A burned-down school, a car accident that isn’t what it seems, blackmail and murder in an Elizabethan country house . . . somehow, they combine to unlock the secret of what has happened in Hastings.

For once, the local police are helpful. DS Sarah Milnes gives Hawthorne carte blanche to investigate and there may even be a hint of romance in the air. Which leaves his hapless sidekick, Horowitz, on his own, stumbling his way to the truth.

A riddle wrapped in a mystery inside an enigma, A Deadly Episode is an intriguing page-turner that once again demonstrates why Anthony Horowitz is the reigning king of the modern whodunit.