From the acclaimed international bestseller Keigo Higashino (The Devotion of Suspect X) comes a sweeping novel in the tradition of Les Miserables and Crime and Punishment. This is the compelling story of a brutal crime and the two teenagers—Ryo, the son of the murdered man, and Yukiho, the daughter of the main suspect—whose lives remain inextricably linked over the twenty-year search for the truth behind the crime.
In Osaka in 1973, the body of a murdered man is found in an abandoned building. Investigating the crime, Detective SasagakI is unable to find the killer. Over the next twenty years, through the lens of a succession of characters, Higashino tells the story of two teens, Ryo and Yukiho, whose lives are most affected by the crime, and the obsessed detective, Sasagaki, who continues to investigate the murder, looking for the elusive truth.
Under the Midnight Sun is a complex, psychological novel about crime and its after-effects by one the most read and most accomplished contemporary mystery author. A twisting, compelling work that will astonish and delight Higashino’s old fans and new readers alike.
International suspense superstar Kjell Eriksson produces another masterful work of murder, intrigue, and page-turning action in this latest thriller, which features his popular series-detective Ann Lindell.
One sunny summer morning a young woman and her six-year old daughter are run over by a car. Both are killed immediately. Is it an accident, or did someone kill them on purpose?
The same morning the husband of the deceased young woman disappears. During the police investigation, it turns out that the husband had recently bought a property that nobody knew anything about. A few days later a macabre discovery is made in a forest nearby.
Eriksson has been nominated for the Best Swedish Crime Novel many times, including for Stone Coffin—the seventh novel in his critically-acclaimed and internationally-loved Ann Lindell series.
One of The Guardian’s Best Books of the Year: Personal writings by the anonymous author who became a literary phenomenon with My Brilliant Friend.
The writer known as Elena Ferrante has taken pains to hide her identity in the hope that readers would focus on her body of work. But in this volume, she invites us into Elena Ferrante’s workshop and offers a glimpse into the drawers of her writing desk—those drawers from which emerged her three early standalone novels and the four installments of the Neapolitan Novels, the New York Times–bestselling “enduring masterpiece” (The Atlantic).
Consisting of over twenty years of letters, essays, reflections, and interviews, it is a unique depiction of an author who embodies a consummate passion for writing. In these pages, Ferrante answers many of her readers’ questions. She addresses her choice to stand aside and let her books live autonomous lives. She discusses her thoughts and concerns as her novels are being adapted into films. She talks about the challenge of finding concise answers to interview questions. She explains the joys and the struggles of writing, the anguish of composing a story only to discover that that story isn’t good enough. She contemplates her relationship with psychoanalysis, with the cities she has lived in, with motherhood, with feminism, and with her childhood as a storehouse for memories, impressions, and fantasies. The result is a vibrant and intimate self-portrait of a writer at work.
“Everyone should read anything with Ferrante’s name on it.” —The Boston Globe
Set against the construction of the Eiffel Tower, this novel charts the relationship between a young Scottish widow and a French engineer who, despite constraints of class and wealth, fall in love.
In February 1887, Caitriona Wallace and Ã?mile Nouguier meet in a hot air balloon, floating high above Paris, France--a moment of pure possibility. But back on firm ground, their vastly different social strata become clear. Cait is a widow who because of her precarious financial situation is forced to chaperone two wealthy Scottish charges. Ã?mile is expected to take on the bourgeois stability of his family's business and choose a suitable wife. As the Eiffel Tower rises, a marvel of steel and air and light, the subject of extreme controversy and a symbol of the future, Cait and Ã?mile must decide what their love is worth.
Seamlessly weaving historical detail and vivid invention, Beatrice Colin evokes the revolutionary time in which Cait and Ã?mile live--one of corsets and secret trysts, duels and Bohemian independence, strict tradition and Impressionist experimentation.To Capture What We Cannot Keep, stylish, provocative, and shimmering, raises probing questions about a woman's place in that world, the overarching reach of class distinctions, and the sacrifices love requires of us all.
“I couldn't put downInherit the Bones. Small town Colorado police detective Gemma Monroe is a human and fallible heroine I can't wait to meet again, and Littlejohn's prose is lyrical and gripping—the book is a sure bet for one of the finest debut novels of the year.”
—Deborah Crombie
Secrets and lies can’t stay buried forever in Cedar Valley.
In the summer, hikers and campers pack the small Colorado town’s meadows and fields. And in the winter, skiers and snowboarders take over the mountains. Season by season, year after year, time passes and the lies, like the aspens and evergreens that surround the town, take root and spread deep.
Now, someone has uncovered the lies, and it is his murder that continues a chain of events that began almost forty years ago. Detective Gemma Monroe’s investigation takes her from the seedy grounds of a traveling circus to the powerful homes of those who would control Cedar Valley’s future.
Six-months pregnant, with a partner she can’t trust and colleagues who know more than they’re saying, Gemma tracks a killer who will stop at nothing to keep those secrets buried.
Beautifully written with a riveting plot and a richly drawn cast of characters,Inherit the Bones is a mesmerizing debut from Emily Littlejohn.
In March 1953, four women meet in Room 408 of Moscow’s deluxe Hotel Metropol. They have gathered to reminisce about Vladimir Mayakovsky, the poet who in death had become a national idol of Soviet Russia. In life, however, he was a much more complicated figure.
The ladies, each of whom could claim to have been a muse to the poet, loved or loathed Mayakovsky in the course of his life, and as they piece together their conflicting memories of him, a portrait of the artist as a young idealist emerges. From his early years as a leader of the Futurist movement to his work as a propagandist for the Revolution and on to the censorship battles that turned him against the state (and, more ominously, the state against him), their recollections reveal Mayakovsky as a passionate, complex, sexually obsessed creature trapped in the epicenter of history, struggling to hold onto his ideals in the face of a revolution betrayed.
Written by Robert Littell, whom The Washington Post called “one of the most talented, most original voices in American fiction today, period,” The Mayakovsky Tapes is an ambitious, impressive novel that brings to life the tumultuous Stalinist era and the predicament of the artists ensnared in it.
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